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【GCA展览】《连结与侵入》

时间2023-06-15

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zfx星汇当代美术馆

马克思·霍克海姆（Max Horkheimer）和西奥多·阿道尔诺（Theodor W.Adorno）的《启蒙辩证法：哲学断片》（Dialectic of Enlightenment: Philosophical Fragments）是范诗磊学术研究的关键文献。他的艺术作品的方向是通过“控制”观众自由的思维方式去构建的，在这构建下营造出异托邦空间，观众将在这空间中永恒的拥抱无法预见的“束缚”；观众的身份逐渐失去自由的流通性，并且成为其野蛮式的艺术作品的呈现基础形式。其野蛮式的作品利用文化工业的产物来构建视觉形象，并以大量复制和重复的方式作为实践方法，在构建异托邦空间中产生作品、观众、空间之间的身份的互相转换及互相关联的全新状态，开放地制造欲望的野蛮式艺术打开了观众自我毁灭式的体验。zfx星汇当代美术馆

zfx星汇当代美术馆

Max Horkheimer and Theodor W. Adorno's "Dialectic of Enlightenment: Philosophical Fragments" is a key reference for Fan Shilei's academic research. His artistic direction aims to construct a space of dystopia by controlling the audience's freedom of thought, where the audience is perpetually embraced by unpredictable "constraints." The audience's identity gradually loses its fluidity and becomes the foundational form of presentation for his barbaric-style artwork. Through the use of cultural industry products to construct visual images, his barbaric-style works employ extensive replication and repetition as a practical method to generate a new state of identity transformation and interconnection among works, audiences, and spaces within the constructed dystopian space. The barbaric-style art openly creates desires and opens up the audience's self-destructive experiences.

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zfx星汇当代美术馆